Sea Glass & Stuff
Picked this off the beach while walking Unit M...

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Picked this off the beach while walking Unit M...

G.G.—Local theater phenom; brilliant actor; gifted playwrite; hostile photographic subject—I am G.G.'s goto guy for drunken assements of life's imperfections.



Photos from Musée du Louvre—Nikon F100 w/ Kodak Portra 400NC
That only stupid people are breeding.
(The cretins cloning and feeding, and I don't even have a TV).
Admit it, you want one.

I wouldn't have any luck at all.

I've been playing with my scanner, which is why the last two posts exist. It's been my intention to modify the scanner to explore 3D scanning and it occurred to me that I might like to scan things around my house and office to add to the blog. Expect more of this....
Went turkey hunting with DP— this morning. We called a Tom into D—'s firing lane, but he stayed just out of range. I scored this beautiful turkey feather on the way out of the woods. It's thirteen inches long and had to be composited from two scans. Cool stuff!

From Musée du Louvre photos: Kodak Portra 400NC color negatives — photographed on light table, inverted in PS CS3, background converted to white, image converted to black and white w/ greyscale adjustments.
From Musée du Louvre photos: Kodak Portra 400NC color negatives -- photographed on light table.
3D scan (Each box scanned individually and arranged in PS CS3).
From Musée du Louvre photos: Nikon F100 w/ Kodak Portra 400NC
Scanned in Nikon Super Coolscan 4000 ED.
Negatives photographed on light table, inverted in PS CS3, background converted to white, image converted to black and white w/ greyscale adjustments.
In imitation of work by Raymundo Sesma... I photographed my hand and the bark of a tree as the foundation of this graphic. All work performed in Photoshop CS3 by Jephnol.

Scan of a José Cuervo boxtop and inside view of top — José Cuervo Reserva de la Familia - 2004. Click on bottom image to enlarge.
I set up a tabletop photography studio today to play with lighting and exposures. I shot the barman (headless unfortunately), and the skull among other things, and I thought the two were a brilliant pair. So, here we are....
A feral cat was trying to get the most out of the sun by making a bed out of Gaylord the 3D deer at the edge of the swamp in my backyard.
Nikon D2Hs
200 ISO equivalent
Respectively 210mm and 600mm
D— making a call via France Telecom and outside the Louvre.

Photo of C— who always makes faces at the camera. I made a clock out of the photo by gluing foam board onto it's back and attaching a clock mechanism. (I kid you not...). C— was not impressed.
It's tick season... Time to coat the pets with poison.
Found on the beach when looking for seaglass... I suppose someone lost it while they were fishing for Stripers.

Photographed Andover Newton Theological School's Commencement for a friend of D—'s. The light was lovely (if I could have added a stop of shutter speed I would declare a proof of God's existence); there were a lot of wood tones and stained glass windows creating a warm glow. Wonderful!
The wide view:
Nikon D2Hs
28-70mm, f2.8 @ 28mm (Converted to 42mm on the chip).
1000 ISO Equivalent
The D2Hs is fantastic at higher ISO's, even in tighter compositions with deep shadows the noise is virtually non-existent.
...like seaglass, fishing hooks, or little toy soldiers. With the words we find we can build temples, worlds, or mysteries. We define ourselves with these found things. We can build a beautiful place to live. But words can also build monsters and dark corners in dark, unhappy places. Some will find the words to build these awful things. Find the words instead to bring the light into your life.

3D Scan of Toy Soldier. Found on Dog Beach at Surfer's Cove with Monster B—. (We always found the good stuff, B—. I miss you an awful lot, Buddy.)

I looked in the archives for this photo. Photos @ Bull Moose Music by Jephnol. Film scanned, desaturated and hand painted.



From T—
Señor Pizza was the best (wasn't it the only) pizza you could get in Redhook. It was a toss up with Wok & Roll for quick eats.
I'm image editing today and I'm automating as many processes as possible (with little files from a 4mp camera). Just a couple few hundred photos are making this Mac putter like a Model T Ford running out of gas. Once more, the technology curve has left me behind.
Click image to enlarge
I dug around in my film archives for these photos.
T—'s puppy died of pneumonia so I thought I would I would remind her of the things that are awesome and good. AJ's middle name is mine, which makes him A. Jephnol on my blog. Yes, that is an actual series, (he didn't stand still too long). AJ is high-octane, baby.
T— sent the bumper sticker and the Cuervo.
I miss the island T—, hanging out with you was always the best:
if you'll be my bodyguard
i can be your long lost pal
Because it burns burns like a wicker basket...
What do you mean I have to cut the lawn with a machete?
Okay? Alright. Okay, den...
The endangered Tree Boa seems to be eating the protected baby Iguana--ya' don't see that everyday.
Don't look now, but I think that Giant Moth is following us.
Oh da' criminal!
Okay, one more time: A Lady Saw is what?
T—, I'm so sorry about your puppy!
The series was shot on Ilford Delta 400 film (when I was shooting much more film). Print Lab in Chicago did the printing.

I'm going through my film archives and I found some stuff I thought I'd like to put up on Jephnol.
Byron in OP
Nikon F100
Ilford HP5 film
Prints from Print Lab
Flatbed scan of 5x7 print
I miss you, Buddy.

Continuation of Looking Through the Archives.
Bertha in the Home
Ilford Delta 3200 rated @ 800 iso pushed 2 stops
Nikon F100
Prints from Print Lab
Flatbed scan of 5x7 print
These are Bertha's hands...
B— you were a hot ticket, girl. Almost a hundred pounds of piss and vinegar. Driving you and B— to Florida was a hoot. You were one of the good ones...

Continuation of Looking Through the Archives.

Continuation of Looking Through the Archives.
Nikon F5 (I miss that body)
Nikkor 28-70mm 1:2.8
Velvia 50
Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
Nikon F5
Nikkor 28-70mm 1:2.8
Velvia 50
Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
The archives have brought me back to Turkey. I had forgotten how much these photos meant to me. I was very fussy when scanning these, looking at the slides on the light table with each edit. I was trying to reproduce the "pop" of each individual slide. Some of the scans will be deleted and rescanned. I'll start with four photographs where I think I caught the light in the scan.
Nikon F100
Velvia 100
Scanned w/ Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
Nikon F100
Velvia 100
Scanned w/ Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
I haven't quite got the "pop" of this slide in the scan. It's close.
Nikon F100
Velvia 100
Scanned w/ Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
It's agonizing to look at a slide on a light panel and see the "wow" factor only to produce a dull scan, but I got this one. Pop!
Nikon F100
Velvia 100
Scanned w/ Nikon Super Coolscan 4000 ED

Continuation of Looking Through the Archives.
Nikon F100
If I had to guess I'd say the film was Fuji Provia 100....
Next time I'll try to center the slide before I scan.

Continuation of Looking Through the Archives.
I guess I should give a little context: This is a photo of D— in her office with a gorgeous sunset filling the windows behind her. It's the same sunset in the prior post "Just Another Cliché", just at a different angle and after a few minutes had passed. (Sunsets at their best are fast movers).
Nikon F100
Uh, Fuji Provia 100?

Continuation of Looking Through the Archives.
I would like to do more in this vein.
Nikon D2H
50mm 1:1.4 @ f4.5

Continuation of Looking Through the Archives.
Flirtation with some experimental ideas; photo of a copse of trees in winter.
Nikon D2Hs
28-70mm @ 28mm, 1:2.8 @ f13
Purushotam
C— and S— my sympathy is with you; your hearts are broken, and my heart breaks for you.
A page devoted to the memory of Purushotam for C— and S— and all who knew him.
Dirge Without Music
I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains, — but the best is lost.
The answers quick & keen, the honest look, the laughter, the love,
They are gone. They have gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not approve.
More precious was the light in your eyes than all the roses in the world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.
—Edna St. Vincent Millay